Charley’s Aunt at The Watermill
Where do you start in a review of this glorious production of Charley’s Aunt? Although it is a classic farce, over 100 years old, I had never seen it before and so did not know any of the plot. What I now know is that the basic plot is the same as ever, but has been adapted in the cleverest of ways to give it the “glow-up” that is this version. It is still the same scheming, dreaming, and classic comic confusion including all the hidden identities, mistaken identities, and in this case some new identities in this glamourous glow-up of Brandon Thomas’ much-loved farce.
It is hilarious from the very start, and to the very finish. The acting is delightfully tight, delivered at a fast pace and in the cosy situation of the Watermill you see every expression, sideways look, and movement of the actors, who by the way were stupendous. Jonathan Case’s Charley Wykeham, as ever behind the curve, and hugely funny. Benjamin Westerby as ‘Jack Chesney’, cunning, crafty and hugely funny. Too many to mention, all brilliant and Maggie Service as the real Donna just sublime.
The audience reaction proved just how good this performance was, to one point where Richard Earl as Spettigue had to hold his entrance pose for what seemed ages before he could deliver his line. It was great to be part of it.
It is colourful, loud, over the top, and a treat to watch.
It is a brand new adaptation by Rob Madge, directed by Sophie Drake, and the musical score is by Lauryn Redding, hot on the heels of her work on the recent Watermill production Three Hens in a Boat. It runs until 15th November, do your best to see this, you will not be disappointed. My chest still aches from the laughter.
Credit: Mark Senior
